|
|
Track Title |
|
Composer |
Description |
CD No. |  |  |  |  |
|---|
|
1
| Inferno |
3:27
|
Paul Mottram / Gareth Johnson
|
Frenzied orchestral drum 'n' bass. Fast beats
|
1175/2
|  |  |  | |
|
2
| Action Hero |
3:19
|
Gareth Johnson / Paul Mottram
|
Classic thriller soundtrack. Violent drums with large orchestral score
|
1177/1
|  |  |  | |
|
3
| In The Pocket |
3:16
|
Barrie Gledden / Richard Lacy / Richard Kimmings
|
Funky jam with slinky guitar & Fender Rhodes
|
1184/1
|  |  |  | |
|
4
| Feels So Good |
3:12
|
Tim Devine / Pete Masitti
|
Punchy, high energy pop rock with catchy female vocal & positive lyrics
|
1224/2
|  |  |  | |
|
5
| Ex Awe |
4:00
|
Alidor Nzinga
|
African gospel choir from the Congo. Solo female vocal into soulful A Cappella
|
1075/1
| |  |  | |
|
6
| Devil Rock |
3:37
|
Terry Devine-King
|
Driving country/rockabilly
|
1270/1
|  |  |  | |
|
7
| Al-Kindi |
3:34
|
Matt Hill / Manickam Yogeswaran
|
Dark, building, dramatic Arabic underscore and percussion with male vocal. Climactic end
|
1028/3
|  |  |  | |
|
8
| Neon Glow |
2:50
|
Gareth Johnson
|
Uplifting Indie guitar pop/rock. West Coast meets British rock
|
1197/5
|  |  |  | |
|
9
| Rollcage |
3:07
|
Barrie Gledden / Tim Reilly
|
Dirty riffs & breakneck beat frenzy
|
1260/1
|  |  |  | |
|
10
| Umanadebe |
2:32
|
Paul Mottram
|
Lively tribal vocals with upbeat drums & animals!
|
1223/3
|  |  |  | |
|
11
| Night Drive |
2:45
|
Barrie Gledden / Richard Lacy
|
Heavy rock guitars & compressed bass riffs with upbeat disco beat
|
1198/4
|  |  |  | |
|
12
| Costa Del Sol |
4:24
|
Christophe Goze / Miguel Moreno
|
Ambient opening into cool percussion and drums with Spanish guitars and vocals.
|
1040/1
|  |  |  | |
|
13
| Flight of the Bumblebee |
1:13
|
Evelyn Glennie
|
Ludicrously fast solo marimba arrangement of famous melody by Rimsky-Korsakov
|
1053/2
| |  |  | |
|
14
| Camera Bag |
3:01
|
Bob Bradley
|
Groovy, upbeat indie rock
|
1284/3
|  |  |  | |
|
15
| Rock Star |
3:08
|
David O'Brien / Johnny Lithium / Kevin Browne
|
Driving electro-rock with melancholy singing android who yearns for stardom
|
1185/1
|  |  |  | |
|
16
| Tried To Be |
3:39
|
Tim Devine / Pete Masitti
|
Feel good pop rock featuring male vocal
|
1224/1
|  |  |  | |
|
17
| Men In Black |
3:04
|
Paul Mottram / Gareth Johnson
|
Glamorous large orchestra with cool drums. All speed boats & roll neck sweaters
|
1175/1
|  |  |  | |
|
18
| Hip Hop Apocalypse |
3:35
|
Matt Hill / Kofi Abban
|
Slow crackley Hip Hop with moody strings & rap vocal. See mixes for instrumental versions
|
1067/1
|  |  |  | |
|
19
| Sex |
2:58
|
Blair Booth
|
Hard core 'sex' lyrics with pumping dance groove. Lyric starts at 48 secs
|
1136/1
|  |  |  | |
|
20
| Castaway |
2:56
|
Barrie Gledden / Sulene Fleming / Richard Lacy / Chris Bussey
|
Reflective alternative pop song with instrospective female vocal
|
1145/1
|  |  |  | |
|
21
| Funk Diving |
2:26
|
Bob Bradley
|
Funky garage rock with shimmering synth guitars & uber cool synths
|
1284/1
|  |  |  | |
|
22
| Spotlight |
3:36
|
Kevin Browne
|
Electro-rock crossover featuring live drums, synth riffs & female vocal
|
1265/3
|  |  |  | |
|
23
| Forces of Nature |
2:53
|
Paul Mottram
|
Panoramic epic orchestra & symphonic choir
|
1247/2
|  |  |  | |
|
24
| Sun Sleeper |
3:21
|
Ben Cocks
|
Female vocal over chilled trumpet with world percussion & radio samples
|
1282/5
|  |  |  | |
|
25
| Still Waiting |
3:05
|
Gareth Johnson / David O'Brien
|
Wistful indie-rock song. Retro synths, 1980s influences, treated male vocal
|
1186/1
|  |  |  | |
|
26
| Numb |
3:17
|
Bob Bradley
|
Urban swing groove with jazzy vocal & late night mute trumpet sections
|
1099/1
|  |  |  | |
|
27
| Big City Heat |
3:28
|
Christopher Ashmore
|
Funky rhythm section with brass fills & burning piano solo
|
1134/1
|  |  |  | |
|
28
| Spirit |
2:30
|
Terry Devine-King
|
Soulful soprano sax, with minimal upright bass and rhythm
|
1079/1
|  |  |  | |
|
29
| Entrapment |
3:02
|
Terry Devine-King
|
Atmospheric female chant over cool drums, bass and strings.
|
1052/1
|  |  |  | |
|
30
| Oceans |
3:32
|
Barrie Gledden / Steve Dymond / Jason Pedder
|
Chilled out electro beats with pulsating pads & calming washes
|
1282/1
|  |  |  | |
|
31
| Sacrifice |
3:34
|
Chris Blackwell
|
Darkly building large orchestra with percussion & synths. Big drums develop
|
1200/3
|  |  |  | |
|
32
| Sprites |
4:08
|
Tim Garland
|
Magical, mysterious orchestral waltz
|
1190/1
|  |  |  | |
|
33
| In Memoriam |
3:29
|
Paul Mottram / Gareth Johnson
|
Dark, slow orchestral with industrial drums & percussion. Emotional, building
|
1177/2
|  |  |  | |
|
34
| Baghdad Café |
2:42
|
Christophe Goze
|
Traditional Arabic instrumental fused with contemporary grooves & arrangements
|
1178/4
|  |  |  | |
|
35
| Come Closer |
3:52
|
Barrie Gledden / Richard Lacy / Sulene Fleming / Richard Kimmings
|
Pop drum 'n' bass/electronica with erotic female vocals
|
1162/3
|  |  |  | |
|
36
| Freestyle |
2:06
|
Richard Lacy / Nick Haigh
|
Irish reel. Live improvisational feel. Features fiddle, mandolin, mandola, guitar & bodhran
|
1065/1
|  |  |  | |
|
37
| Style Nation |
3:55
|
Barrie Gledden / Richard Lacy
|
Smooth, funk. Cool electric piano & slap bass
|
1112/1
|  |  |  | |
|
38
| Marauding Masses |
3:21
|
Terry Devine-King
|
Mighty, intimidating full orchestra. Martial & unrelenting
|
1216/1
|  |  |  | |
|
39
| Sabotage |
2:09
|
Chris Blackwell
|
Glamorous, spy movie score
|
1098/3
|  |  |  | |
|
40
| Full Tilt |
2:26
|
Terry Devine-King
|
Positive Latin Rock. Bright brass & driving groove
|
1233/2
|  |  |  | |